Rapture (1999)


Rapture (1999)


Selenium toned silver print

No. 1 of an Edition of 10

Diameter: 7 1/4 in.

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The salient conceptual underpinnings of Reliquary have less to do with its

ostensible subject matter than with the very idea of exploring a world that has

 been fabricated at will and from scratch--an equivocal territory that is not merely

described by the artist but constructed in a negotiable collaboration between

 artist and viewer.  Indeed, these are not simply indistinct representations of

a world that would be rendered more familiar if only the focus were better.

  Rather, the absence of an expectant descriptive syntax is a fundamental

property of this world, in much the same way that the absence of linear

narrative is a fundamental property of a dream.