THE SCHOOLHOUSE AND THE BUS: MOBILITY, PEDAGOGY, AND ENGAGEMENT, TWO PROJECTS BY PABLO HELGUERA AND SUZANNE LACY / PILAR RIAÑO-ALCALÁ
Feb
9
to May 12

THE SCHOOLHOUSE AND THE BUS: MOBILITY, PEDAGOGY, AND ENGAGEMENT, TWO PROJECTS BY PABLO HELGUERA AND SUZANNE LACY / PILAR RIAÑO-ALCALÁ

The Shelley & Donald Rubin Foundation is pleased to present "The Schoolhouse and the Bus: Mobility, Pedagogy and Engagement," an exhibition pairing, for the first time, work by two leading artists of the social practice movement, Pablo Helguera and Suzanne Lacy. On view at The 8th Floor from February 9 through May 12, 2018, "The Schoolhouse and the Bus" highlights a touchstone work by each of the artists executed in the Americas but never shown in their entirety in the United States - Helguera's "School of Pan-American Unrest" (2006) and Lacy's "Skin of Memory" (1999), a collaboration with Pilar Riaño-Alcalá. Comprised of installation, collage, sculpture, ephemera, photography, video, as well as archival documentation, this exhibition serves to highlight overlapping themes in their works, which include immigration, pedagogy, violence, memory, and community organizing.

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This exhibition pairs, for the first time, work by two of the leading artists of the social practice movement. Suzanne Lacy (BA 1967 Zoological Science), ased in Los Angeles, is among the first generation of artists who began making art founded on public participation with the goal of empowerment or change in a community. Pablo Helguera, a Mexican artist based in New York City, represents the next generation of social practice artists influenced by Lacy’s works, writings and teachings. The Schoolhouse and the Bus  highlights a touchstone work by each of the artists (with anthropologist Pilar Riaño-Alcalá in collaboration with Lacy), executed in the Americas but never shown in their entirety in the US. Comprising installation, collage, sculpture, ephemera, photography, video, as well as archival documentation, this exhibition will serve to highlight overlapping themes in their works which include immigration, pedagogy, race, violence, memory, and social organizing. Following its presentation at the AD&A Museum the exhibition will travel to The 8th Floor, the exhibition space for The Shelley & Donald Rubin Foundation in New York City.  

This exhibition has been curated by Elyse A. Gonzales, Assistant Director/Curator of Exhibitions, AD&A Museum and Sara Reisman, Executive and Artistic Director, The Shelley & Donald Rubin Foundation.

The Schoolhouse and the Bus/ La Escuela y El Autobús  has been generously funded by Marcia and John Mike Cohen, The Shelley & Donald Rubin Foundation, Eva and Yoel Haller, the Interdisciplinary Humanities Center, the Western Humanities Alliance, and the Department of Art. In-kind support has been provided by Neil Sherman, Industrial Metal Supply.

Pacific Standard Time: LA/LA  brings a unique opportunity to Santa Barbara, encouraging cross-cultural dialogue and critical investigation of Latin American art in a local context.  Sacred Art in the Age of Contact andThe Schoolhouse and the Bus are official participants of the Getty initiative.  This initiative is a collaboration of numerous arts institutions in California, and explores the historical relationship between Latin America and the greater Los Angeles area through a series of thematically linked exhibitions.

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THE SCHOOLHOUSE AND THE BUS: MOBILITY, PEDAGOGY, AND ENGAGEMENT, TWO PROJECTS BY PABLO HELGUERA AND SUZANNE LACY / PILAR RIAÑO-ALCALÁ
Sep
27
to Dec 8

THE SCHOOLHOUSE AND THE BUS: MOBILITY, PEDAGOGY, AND ENGAGEMENT, TWO PROJECTS BY PABLO HELGUERA AND SUZANNE LACY / PILAR RIAÑO-ALCALÁ

AD&A Museum

UC Santa Barbara 

Santa Barbara, California

 

This exhibition pairs, for the first time, work by two of the leading artists of the social practice movement. Suzanne Lacy (BA 1967 Zoological Science), ased in Los Angeles, is among the first generation of artists who began making art founded on public participation with the goal of empowerment or change in a community. Pablo Helguera, a Mexican artist based in New York City, represents the next generation of social practice artists influenced by Lacy’s works, writings and teachings. The Schoolhouse and the Bus  highlights a touchstone work by each of the artists (with anthropologist Pilar Riaño-Alcalá in collaboration with Lacy), executed in the Americas but never shown in their entirety in the US. Comprising installation, collage, sculpture, ephemera, photography, video, as well as archival documentation, this exhibition will serve to highlight overlapping themes in their works which include immigration, pedagogy, race, violence, memory, and social organizing. Following its presentation at the AD&A Museum the exhibition will travel to The 8th Floor, the exhibition space for The Shelley & Donald Rubin Foundation in New York City.  

This exhibition has been curated by Elyse A. Gonzales, Assistant Director/Curator of Exhibitions, AD&A Museum and Sara Reisman, Executive and Artistic Director, The Shelley & Donald Rubin Foundation.

The Schoolhouse and the Bus/ La Escuela y El Autobús  has been generously funded by Marcia and John Mike Cohen, The Shelley & Donald Rubin Foundation, Eva and Yoel Haller, the Interdisciplinary Humanities Center, the Western Humanities Alliance, and the Department of Art. In-kind support has been provided by Neil Sherman, Industrial Metal Supply.

Pacific Standard Time: LA/LA  brings a unique opportunity to Santa Barbara, encouraging cross-cultural dialogue and critical investigation of Latin American art in a local context.  Sacred Art in the Age of Contact andThe Schoolhouse and the Bus are official participants of the Getty initiative.  This initiative is a collaboration of numerous arts institutions in California, and explores the historical relationship between Latin America and the greater Los Angeles area through a series of thematically linked exhibitions.

View Event →